Tag Archives: album

Thingmaker.

Well, there’s absolutely no doubt about it. A song is a thing. I think we can all agree on that. And I can also say, without fear of contradiction, that every song, no matter how insipid, is about some thing. That’s a no-brainer.

With that in mind, what’s the best way to make an album based on the melodramatic story arc of what can be described as a spacebound horse opera? Simple – break out the thingmaker! What is that, a hot plate, right? Anybody out there on the internets old enough to remember thingmakers? Sure … you plug the thing in, heat it up, pour goop into a mold, cook the mold on the hot plate, then chew on the plastic junk you create or electrocute yourself by pouring the cooling reservoir water on the thingmaker. Great fun.

Anyway … what we do is not that dissimilar from playing with a thingmaker. Let’s say that our overactive idiotic imaginations are the “goop”, if you will. I suppose the “mold” is the usual genres we work within, mostly rock, some bogus country, some other weird stuff we can’t define. Then of course, there’s the thingmaker itself, our superannuated recording system – a Roland VS-2480 deck we bought fifteen years ago to replace my now shipwrecked Tascam DTRS DA-88 deck. And let’s face it, that sucker is not that far removed from a thingmaker.

Great production valuesWe’ve started to use Cubase a bit over the last two years, just out of necessity, but we’re kind of locked into the thingmaker, despite the fact that it’s got a beastly 486 processor and a primitive proprietary “closed” operating system – and I do mean closed! There’s literally one way to get data out of that thing other than via analog audio outputs, and that’s through the coaxial digital outputs. There is no system that currently supports Roland’s (again) proprietary R-Bus data ports. The only other bus is SCSI, which of course is toast. The CD burner doesn’t work. The optical audio outs don’t appear to work either. Thingmaker.

Hey … that’s what Big Green is all about, right? Making something from nothing. With nothing. And for nothing. It’s what we do.

Jupiter rising.

Great red what? Jesus christmas, I don’t have time for that. I’m trying to stay focused on the Mars mission. Then there’s Voyager, all alone out there at the edge of the solar system already… whoops. Someone’s reading this. Look busy!

Hi, friend(s). You may wonder what I’m rambling about. Though probably not, if you’ve visited this blog before. We run on and on about pretty much anything that flows into our heads. Hell, I was looking at a pizza menu the other day that featured deep-fried Oreos. But does anyone want to hear about it? God no. So we’re going to talk about something more interesting today …. like Jupiter. (The planet, not the derivative Roman god.)

The other day some massive asteroid supposedly hit Jupiter. I say “supposedly” because, to be perfectly frank, I think this incident is actually the work of our mad science advisor, Mitchington V. S. Macaphee III, M.S.D., C.M.F.  (For the curious, his honorifics are short for Doctor of Mad Science, conferred by the University of Berzerkistan, and Crazy Mother Fucker … not so much a degree as a description.) Mitch got the interplanetary exploration bug this past summer with the recent Mars probe (which he almost immediately hacked into for his own nefarious purposes). But Mars wasn’t big enough for him. Eventually he turned his attention to the king Kahoona of planets …. (wait for it!) … Jupiter.

Okay, so here’s how our household works. Those of us who are not involved in the hard sciences share the upper levels of the abandoned Cheney Hammer Mill. (I myself occupy a suite just outside the old forge room, basically a storage bay where they kept the hammer handles. I sleep on hammer handles, is what I’m saying.) Down in the basement, next to our makeshift production studio, Mitch Macaphee maintains a mad science lab where he builds, I don’t know, little projects like Marvin (my personal robot assistant), time travel devices, and … crucially… interstellar space vehicles.

You have to understand the fevered mind of the mad scientist. Jupiter has a red spot, right? Mitch sees that as a challenge. Can he make a blue spot? How hard would it be? Would they call it the Great Macaphee Spot if he succeeded?

What happened next should be kind of obvious. I don’t understand the science, so don’t ask me, but sometime last week there was a loud, rocket-like sound in the early morning hours, and the next thing I know, Jupiter has two spots instead of one. Or so Mitch tells me, anyway. Sheesh. I’ve got an album to produce. And a podcast to finish. Don’t bother me with such trifles!

Preppin’ for Tex.

Got your cowboy hat yet? Oh. Okay, why the hell not? Just go downtown, walk into the cowboy supply store, and pull a ten-gallon hat off the rack. What’s so hard about that?

Oh… hey, man. Caught me, once again, in the midst of lecturing the help. Marvin (my personal robot assistant) refers to it derisively as “reprogramming”, but you know better. All I asked him to do was to purchase his own cowboy gear – that’s all. Is that so unreasonable? Am I expected to pay for everything around here? What the hell – I’m the “job creator”, right? I’m the one using “air quotes” left and right. Haven’t I done my part in this employer-robot assistant relationship? Huh?

Okay, so why am I asking Marvin to dress up like Tex? So that he’ll match the rest of us, of course, when we start shooting videos to support our upcoming album of Cousin Rick Perry songs. What the hell, we can’t release an album of songs nominally by the governor of Texas without donning ten-gallon (or, at least, 5-liter) headgear. That would be tantamount to malpractice. And what is malpractice but a crutch for cats who can’t blow? (Okay… I murdered that quote, but it had it coming.)

Admittedly, there is more to making a new album than getting matching cowboy suits. Much more. Like shoes. And pizza boxes. Bubble-stuff in a plastic jar. What else? Hmmmm. Corn husks. Put them all in a cement mixer and flip the switch, baby. Round and round they go, and after a few hours, pour it out into a six-up mold and start stamping out those CD’s. Nothing to it.

What about the music part of it? Details, details. We’re working on it, that’s all I can say. All of those first-draft podcast songs? We’re polishing them to a sparkling luster. We’re patching them up like ten miles of bad road. We’re turning knobs, flipping switches, and cranking …. cranks. We’re making the little lights flash like glow-bugs. That’s a bit of doing.

So, yes… we will have an album. Big Green will crawl again across the shattered landscape of American music anyhow. In cowboy hats. Yee-haw.