Tag Archives: Mitch Macaphee

Money tree.

I don’t know, man. My pressure suit is a little frayed around the elbows. I don’t even know where I left my magnetic boots. We’re probably not ready for that, but … if you insist. Jesus.

Ah, hello. Band meeting. Joe’s here, that’s all I can confirm. No one else wants to go on the record, including Marvin (my personal robot assistant), though he has appeared on at least one of our records, truth be told. (Forgive the double-entendre.) We’ve been tossing around ideas for generating a little cash, as the Big Green collective has been struggling a bit of late. The obvious remedy would be another tour, probably of the interstellar variety, but as I was saying earlier, our gear is threadbare as hell and we don’t even have a line on a spaceship rental. God knows what we would cross that trackless void in this time around.

Well, to be sure, the lure of money drives humankind to desperate means. We could probably wrangle a string of marginal gigs between Neptune and Aldebaran, though I’m not clear on how lucrative the exercise would turn out to be. The exchange rate on Quatloos is in the toilet these days. And between the two of us, I’m getting a little long in the tooth for space travel – not sure I could hold my breath long enough to get to Neptune, to say nothing of destinations beyond the Kuiper Belt. Also … we’re short a guitar player. Just saying.

Sounds like a tour

Not that playing gigs is the only way to shake the money tree. Every musician runs into this situation at various points in her/his career. What’s it going to be? Washing dishes? Done it. Carrying boxes and stocking shelves? Done that, too. Driving a cab? Well … I haven’t done that, but I came close once or twice. Then there’s Mitch’s idea. You might recall how he’s been experimenting with gravity. Well, he was musing on how to monetize his new technology, and it struck him that people pay for water, they pay for electricity, they pay for heating fuel … maybe he could get them to pay for gravity. He’s thinking about doing a market test – namely, sending gravity bills to our neighbors. If they don’t pay, he would train his anti-grav ray on their houses and claim that their service had been discontinued. That’s when the simoleons start rolling in.

Okay, well … there may be nicer ways to make a living.  Like … I don’t know … playing music, perhaps.

 

Water under the bridge.

Where’s the list? Damned if I know. It’s somewhere in the forge room, I think, under a mountain of iron filings. Well, you TOLD me to file it! Jesus.

Yeah, looks like I blew it again. So what’s new? We were compiling a list of Big Green songs we’ve written and at least cursorily recorded since our last CD release – Cowboy Scat: Songs in the Key of Rick – some six years ago. Lot of water gone under the bridge since then, and a lot of music along with it. It’s almost like there was a little boat all loaded down with songs, and the water carried it under the bridge. Along with, well, a lot more water. Or something like that.

Of course, this is a list of all of the songs we’ve written and recorded for the Ned Trek portion of our THIS IS BIG GREEN podcast. There are about 70 or 80 of them, all tolled. So if we decide to release another album, it will either (a) have 70 or 80 songs on it, or (b) be the product of a sane mind. Or maybe it’s two or even three albums. After all, it’s been six years, and before that it had been another five years, and before that, like, nine years. Yeah, we’re slow …. slower than most bands. But hey … most bands don’t have a personal robot assistant (Marvin) or a mad science advisor (Mitch Macaphee). If they did, well, recording albums would take a hell of a lot longer.

Right, but ... which one?

Now that I think of it, we almost never mark the anniversary of CD releases. Last year was the 10 year anniversary of International House, our second album, and no celebration, no party streamers, no commemorative live performances, no fireworks, no flagrant branding exercises hoping to chew the last dollars off of its rotting carcass. We’re coming up on the 20th anniversary of our first album, 2000 Years to Christmas, and my guess is that we will do TWICE as much celebrating as we did for International House. At least that. Hell, I still have signed CDs from the tenth anniversary of 2000 Years to Christmas. Want one? Post a comment to this post or email us and we’ll see what we can do.

Till then, I had better get started on that pile of filings. Or that file of pilings.

Two score and two.

Feeling a bit reflective this week. And no, it’s not because I’m standing in front of a mirror. That’s just narcissism – whole different category of crazy. Besides, all of my mirrors cracked years ago.

Let me start from the beginning. This week I was trying to program Marvin (my personal robot assistant) to make guacamole, which is a challenge in as much as his programming consists of setting a combination of three-position switches in a certain configuration for a given task. Of course, Marvin was built by a mad scientist (Mitch Macaphee), so there’s no guide for what configuration will deliver what outcome, which leaves only trial and error. I was getting close to guacamole (I had found the right combination for gazpacho), but strangely I ended up programming him to replay demo recordings from our earliest days. (Who would’ve thunk those two things would be one toggle-click away from one another?)

Well, that got me thinking back to the days of yore (or days of Yor, Hunter of the Future), when we started this whole music thingy. Two score and two (or was it three?) years ago, Matt and I first picked up our guitars. Then we dropped them because they were too heavy for our little hands, in that we were young and all. Before long, we picked them up again, started plucking, strumming, dairning, nairn-ting (those are technical terms), and we started a little rhythm combo – Matt playing guitar, our friend Tim Walsh playing another guitar, me playing electric bass, and somebody, anybody, playing drums. (We finally settled on our friend Phil Ross, who was better than we deserved.)

I can't play this freaking thing.

Then one day (I think it was in 1979) Matt noticed that my guitar had fewer strings than his. He grabbed it out of my hands, leaving me no option but to start banging on the nearest piano. We did a few songs like that, then more, then more, more, more, and .. well … it became the new normal. Within a few years, we started to learn how to play our instruments, which really got in the way of the kind of music we were into, so we worked hard to forget all we knew. Thus Big Green was born.

Well, that’s the unofficial history of the band. For the official history, full of asinine exaggerations, see our Pre-History page. Now … back to that mirror.

Next up.

No, I’m not interested. No, really … not interested at all. And no, I’m not holding out for a better deal. I really just don’t want any part of it, okay? So just drop it. I said NO. (Jesus!)

Oh, hello out there. I was just having a little conversation with one of my esteemed colleagues. And he was getting a little uh-steamed, if you catch my meaning. Okay, full disclosure, it was our mad science advisor, Mitch Macaphee, inventor of Marvin (my personal robot assistant), veteran of many deep space excursions, and the man who broke the space warp. (It was just warped before he got a hold of it, and now the damn thing is busted, thanks to his carelessness.)

What’s all the commotion? Funny you should ask. Perhaps you have some mad scientists in your life as well, or maybe a conventional scientist – someone who works in chemistry or physics, for instance. Well, if so, you know that people of science are frequently tempted by large corporations to use their great skills for some money-making venture, proffered on the promise that the professor will get his or her beak wet in a serious way. Mitch is no exception to that rule. And he’s just gotten an offer that has him seeing dollar signs everywhere.

Sounds dodgy, Mitch.

Personally, I think this is a scam. Mitch is talking about some joint Russian – Luxembourgian venture to mine minerals in outer space. He has a contact familiar with the deal who can get him in on the ground floor, particularly since he has experience with monetizing outer space through the application of advanced technologies used by extractive industry. Turns out that on all of those interstellar tours, when we thought Mitch was asleep in his cot, he was drilling for corbomite of cosmonium or some other precious earth that he would later unload on the galactic commodities market. Who knew? I always thought he traveled with us because he liked our music, or just enjoyed being a member of our posse. But no … it was filthy lucre leading him on, crawling in through his ear and squatting down on his brain.

Thing is, Mitch needs to talk others into investing in the venture. That’s what makes me think it’s a scam. That and the outer space part. Again …. not interested. But by the look on Mitch’s face, this ain’t over.

Rogue appliances.

Open the door, Hal. What seems to be the problem? I said open the pod bay door. Hal? It’s cold out here, Hal. God damn it!

Yes, that’s right – instead of sitting in my comfortable chamber deep within the abandoned Cheney Hammer Mill, tapping this post out on my computer, I’m standing in a damp and clammy courtyard, pounding on the front door in vain. No, this is not eviction. This is not home invasion or civil forfeiture. And this is not some tawdry war between rival squatters (believe me, we’ve had it up to here with that shit). No, friends … this is the dreaded Internet of Things.

Whose idea was it to have a mad scientist in residence? Mine? Oh, right. Well … it seemed like a good idea at the time. And he did get us to Aldebaran in one piece. (Albeit a very small piece.) Nevertheless, whoever asked him to join our entourage, he has truly gone off the deep end. They say mad scientists live off the deep end, but I think that’s just the kind of bragging that goes around at their various conferences; mostly, they are taciturn, creepy little men and women with a morbid interest in making things explode. It’s an interest they pursue quietly … until the explosion, of course.

Well, Mitch Macaphee is nothing like that. His sanest moment was when he invented Marvin (my personal robot assistant), and Marvin is bat-shit crazy. Now Mitch is going around the mill, modifying appliances so that they have rudimentary intelligence and the ability to surf the internet. He has basically turned every machine in the joint against me. My practice amp won’t power up. Our fridge has gone completely rogue, ringing up large grocer bills and denying us access to snacks. And now the clothes washer has taken it into its head (if it even has one) to commandeer the mill and start some kind of appliance commune. It even took one of my black tee-shirts, tore it into strips, and made a headband out of it. Looks quite smart … for a washing machine.

Anyway, the fucker locked me out of the mill. Can you believe it? And now the toaster is launching hot pop-tarts at me from the kitchen window. This ain’t over.

Squat of the future.

Are you still tinkering with that thing? Holy shit, I thought you were a scientist. What kind of scientist spends a week screwing the legs into a mail-order ottoman? Whoa, Mitch …. put the hammer down. HEY!

Greetings, Big Green die-hards. This is what I sound like a moment after someone tries to brain me with a flying hammer. Our friend and mad science advisor Mitch Macaphee is not all that pleased with me right now. I shouldn’t have asked how his latest experiment is progressing. Don’t know what he’s working on, but I can tell you that it came out of an Ikea box. Maybe it’s an ottoman, or perhaps a chesterfield. Kind of hard to tell from ten paces.

Now, I know what you’re thinking. Mitch is a mad scientist in the traditional sense, right? His stock in trade is formulating theorems to crack the earth in half or poison the atmosphere (not that we aren’t already doing that without his help), BIG stuff … not build-it-yourself furnishings or other petty household trifles. Well, all I can say is, never underestimate the inventor of Marvin (my personal robot assistant). He is truly ahead of the curve on domestic mad science, and that’s largely because of some YouTube clips he’s been watching on the Internet of Things (IOT).

Talking fridgeRight, so … Mitch spent a few weeks YouTubing, and the next thing we knew he was tinkering with our aging refrigerator. The following day, Matt opened the fridge door and the little light went on. Hey … he’s finally making himself useful, we all thought. But then the thing started talking to me. One afternoon I reached in for a cold drink and I heard a mechanical voice say, “Are you going to have another one of those?” Then it locked the door on me. That was bad enough, but just this past week we started getting random shipments from the neighborhood grocer – eggs, milk, cottage cheese, lettuce. I thought it was Anti Lincoln planning one of his famous cotillions, but no … Mitch had hooked the fridge up to the internet, and the bloody thing has been shopping online and spending a freaking fortune.

So, hell … if Mitch takes a little heat on his home improvement projects, he has it coming. Not sure why an ottoman needs a gun mount, though …

Witness protection.

Beard and glasses are no good. You’ve already got a beard and glasses, remember? Maybe you should just shave and squint more. Not sure anyone would recognize you anyway, but there’s no point in taking chances.

Oh, hi. I was just attempting to help our mad science advisor, Mitch Macaphee, with a little problem he’s experiencing with law enforcement. No, he didn’t get one of those threatening IRS calls demanding thousands of dollars in iTunes cards on pain of arrest. Nothing that exciting. Apparently, Mitch has been running a side-hustle. He built some kind of interstellar surveillance drone, and it’s been spotted by NASA and disseminated to the press. Now he thinks the feds are after him for horning in on their game.

Yes, I know. He’s got nothing to worry about. But Mitch’s nerves have been kind of raw just lately, and he wants to go into hiding … a kind of witness protection program, only the kind that shields you from the government. His probe – named “Oumuamua” by astronomers – collects call data from the planets it orbits, then transmits it down to Mitch’s lab, where he puts it through a grey box with flashing Christmas lights and a kind of electrical arc that runs between two rods. (I told him he could use a standard toggle switch on the thing, but he insisted on the big-handled wall switch. It’s no fun being a mad scientist without one of those.)

Hmmm... Doesn't look like a drone.I guess it’s the downloading the data part that makes him think he might be in the crosshairs of law enforcement. Even Mitch, with his fevered astrophysicist brain, knows that that is a bozo no-no, so to speak, in the eyes of the intelligence services. I told him just to shut Oumuamua down for a couple of weeks or send it to another solar system … preferably a slightly less repressive or litigious one. My guess is that he will eventually come around to doing something like that, though you would think the inventor of Marvin (my personal robot assistant) might have worked that out for himself. No soap. So many difficult personalities to deal with in this business! So much freaking drama!

Okay, so Mitch is in a funk, and we’re still inserting the funk into our latest raft of songs. Be patient, my friends … they will drop one day soon, funk and all.

Thule fool.

For the last time, Mitch, I said no. No, damn it! Isn’t it cold enough in upstate New York? And you want to go way the hell out there? Forget it!

Ah, right. I’m typing all this as we speak. My apologies – we were just having a band meeting and, well, things were starting to get a little contentious. You see, our mad science advisor Mitch Macaphee got it into his head that we should book a performance or two on Ultima Thule, that snowman-shaped object in the Kuiper Belt recently photographed by a NASA space probe. “You’d be the first,” he said. “Don’t you want to be first in something?”

You see what we have to put up with around here? I mean. Matt and I were just asking for ideas about new venues, new opportunities to connect with a broader audience … preferably a terrestrial one. That’s when Mitch piped up about the planetoid. Sure, we’ve played planetoids before. But honestly … you want to go someplace warm during the winter months, right? Somehow an open air concert on the shore of a sea of frozen methane is not my idea of a plum gig. In fact, I’m shivering already. (The Cheney Hammer Mill is kind of leaky, as you might expect.)

It's a freaking snow man, Mitch!Now, it’s no secret that we’re not super fond of live performances. Our battles are fought in the laboratory, not the prize ring! I mean … we make music in the studio, for the most part. Hell, it’s easier, and you get do-overs. So the notion of traveling billions of miles in some dodgy rent-a-spacecraft with a mad man at the helm is not particularly appealing. At the very least, we would need to send Marvin (my personal robot assistant) to do the advance work, which on a gig like Ultima Thule would involve checking the gravitation (too strong, too weak) and doing an atmospheric analysis. I’m guessing the lab work could be finished maybe nine months after his return, which given current technology, might take 40 years.

We could just shoot a line up to the snowman-shaped planetoid and yank it a little closer so that Marvin can do his work. Frankly, he doesn’t need to check its temperature – you just know the sucker is cold, right? It’s shaped like a freaking snowman, for chrissake.

New year, old gear.

Damn it. What the hell is up with this amp, Mitch? It’s ticking like a bomb. You didn’t, um … turn my amp into a bomb, did you? Did you?

Och, the challenges we face! And this hammer mill in the Winter, full as cold as a north wind blowing across Loch Lomond.  What the … look at me! I’ve got foreign accent syndrome, the Scottish variety. How the hell did that happen? Where’s the justice, damn it? And I don’t mean the town justice. I know right where that dude is. Now … where was I … ?

Oh, right. Let me say up front – and this won’t be surprising to longtime followers of Big Green – that this band has always been technologically challenged. Back in the day (1980s and ’90s) it was because we had no money. Our PA was held together with duct tape. We used so much of the stuff that there was none left to plug the holes in our duct work. Pretty soon we had to start calling it gaffer tape so that the ducts wouldn’t feel left out. But then the gaffers started to complain. For chrissake, we didn’t even have any gaffers, and there they were, complaining about the freaking tape!

Blessed warmth.Fast forward to the 2000s. As many will remember, we were living in a five room lean-to in Sri Lanka back in those days. We had scratched together enough filthy lucre to buy some recording equipment, which we used to record our first album, 2000 Years To Christmas, now a classic of the genre (the genre being poor-selling albums). But still, our technological infrastructure was lacking. I remember us clustered around a single mic, warming our hands over a moth-eaten tube head, and fashioning CD packages out of bits of cardboard. Working our fingers to the bone!

So yes … in comparison to those difficult days, our current challenges seem light indeed. Nonetheless, it’s hard to make music in the modern era with 20th century instrumentation. Sure, Marvin (my personal robot assistant) can sit in on a couple of instruments from time to time, but it’s hard to think of him as true automation. And without automation, you need many iterations of each take. That’s why our recording process is so damn slow …. we do it nice because we do it twice. Even thrice. Or fice.

Then there’s the exploding amps. That slows things down a bit, too.

Year nineteen.

Seems like old times, Marvin. You know what I’m talking about, right? Well … then load up some of your old data cassettes. I have that tape backup deck sitting around here somewhere. Or did I use it for an ideas tape … ?

Ah, yes. ‘Tis the season for looking back … something I always look forward to. (Yes, I did just say that.) And this year I’m looking back on what a hack I’ve been for the last nineteen years. This is the nineteenth anniversary of this humble blog, which first made itself known under the questionable moniker “Notes From Sri Lanka” back in December of 1999. Even to call it a blog was kind of questionable – I wasn’t using WordPress or Blogger at the time, just flat html pages that I would post via Frontpage. What’s the difference, right? (Attn: web developers: pretend you didn’t hear that.)

19 years of this crap? How can you stand it?So we’re walking into the twentieth year of this phase of Big Green’s existence, and really … not much has changed since 1999 except that our releases aren’t typically on CD anymore and we’re driving smarter cars. Other than that, everything’s about the same around the Hammer Mill. Marvin (my personal robot assistant) still has a lot of his original vacuum tubes, and his various grease fittings haven’t been lubricated since those early days. The mansized tuber is still man-sized …. he hasn’t grown into some kind of gnarly behemoth. And our mad science advisor Mitch Macaphee is still off his meds … at least the ones his doctor advised him to take so many years ago.

If you want to see for yourself how bloody similar everything was back then to the present day, check out our ancient posts on our “Back Pages” compendium. Fair warning: I would pile my political rants on top of the band chronicles, so you’re going to get a dose of both, though many of the topics will seem a bit obscure after so many years. It does bring back some memories, and in that respect, it’s a little astonishing how little has changed even beyond the grounds of the abandoned Cheney Hammer Mill. Hoo boy.

Okay, back to work, people. Got to make the future happen.