Tag Archives: Joe

The rest of the rest of the story

2000 Years to Christmas

Editor’s note: There is no editor for this blog. I’m the night janitor, emptying the trash cans and spreading the refuse thin enough on the floor that no one notices. I’m on my smoke break, but I’m taking this opportunity to say that what follows is the rest of that lame interview with Big Green co-founder Joe Perry.

Part one: The bad van

Marvin: Rumor has it that Big Green and its various precursors had some of the worst vehicles in the history of indie bands. That’s quite a distinction. Care to expand on that?

JP: Glad to, Marvin. Of course, back when we were just starting out, a bunch of dewy-eyed kids with a song in our hearts and a sandwich in our hip pockets, we had a 1973 C-10 pickup with a cap on the bed. It had gaping holes, rust, primer, five different shades of orange paint, etc. In fact, it had so many pieces missing, we called it “Ruck” (i.e. not quite a truck).

I’ll spare you the grisly details of driving Ruck to gigs. Suffice to say that, at least once, I had to crawl under the sucker at the traffic light on the intersection of Central Ave and Lark in Albany, NY and tighten the gearshift linkage, which kept unscrewing itself. Once was enough.

Then we had Moby, a 1970 Econoline Supervan, former ambulance, that I bought at auction. It had duct tape over the “Ambulance” decal on the hood. On a good day it got 11 miles per gallon. It …. was a bad van.

Finally, we had a brown, mid-eighties Econoline that we took on the road a few times, including a gig up at Middlebury College. It was in January and the heat didn’t work, so we were frozen solid by the time we got home. To make matters worse, it would stall at idle. It was, in short, another bad van. I sold it, nameless, to lettuce man.

Marvin: Sad end to a sad story.

JP: The hell it is. Move on!

What, this again?

Shifting the Marlboro stacks

Marvin: Perhaps even worse than your vehicles were your PA systems. Can you talk about that a bit.

JP: I could, but you probably wouldn’t understand what I’m saying because the PA system sucks so bad.

Marvin: What was that? I can’t hear you!

JP: Back in the seventies, when the skies were black with flocks of hooting pterodactyls, we invested in a small PA. No, not the kind you see these days, with powered speakers, etc. This was a Marlboro PA, with two boxy speakers and what looked like a cheap knock-off fender guitar head with four volume pots. Pro tip: pull the volume pot and you get reverb!

Okay, so we moved to Albany and had to get something marginally better than the twin kazoos. And we did just that. We bought two of those old Shure tower speakers, with like half-a-dozen five-inch speakers in a vertical array. And when that didn’t work, we got two Cerwin-Vega 15″ cabinets that we used for years after that. The Marlboro stacks became our monitors.

Marvin: Where are they now?

JP: I’m sitting on them. They make a jolly comfortable chesterfield.

What’s that they’ve written?

I’ve taken to starting the day with a brief lyric from our storied past. (Mostly a two-storied past. We haven’t lived in a lot of high-rises in our time.) For some reason, this morning a particular song of Matt’s popped up, and I found myself humming along to this stanza from Natural Laws:

What’s that they’ve written all
up and down the wall?
Something about suction and my face.
I don’t know what they mean
or why it’s illustrated in green; is it
some tasteless reference to my
love for you?

Some people recite Shakespeare; others read Supreme Court decisions to their children. Me? My tiny mind focuses on the familiar, and there are few things more familiar to me than the boatload of crazy-ass songs I’ve been living with for the past three decades. Lots of material there – probably a couple hundred songs, poorly recorded on cassette 4-track decks or something meaner, all demos. The copyright folks down at the Library of Congress must think we’re a couple of crazy motherfucking crackers, though I’m sure most of the cassette collections we’ve sent to them as deposit copies have long since turned to dust. (They do digital file uploads now, of course.)

Us in the eighties (at an awesome wedding).Matt’s always been a very prolific crackpot. Myself? Less so, though my cumulative output over the years is less well-documented. Matt recorded practically from the very beginning of his songwriting days, whereas many of my songs floated around in my head and never got much farther (nor, frankly, deserved to). To this day, Matt writes about six or seven songs to my one. Not sure how he does it with that day job of his – tramping around the wilderness, feeding beavers, chasing falcons, snapping photos of butterflies, etc. My songwriting habits are pretty bad. Sometimes on a weekend I’ll pick up a guitar and play the same chords I always play, except in a different order. (One of these days I’m going to run out of orders.)

Of course, there’s always the piano. But most of my composing happens in the old brain case. If I don’t get a song in my head first, it doesn’t usually go anywhere. Sometimes I fram on the keys, record a snippet on my phone, and build it out from there, but usually not. Hey … whatever works, right? So long as you and the brick walls listen, we’ll keep tossing it out there. That’s how we roll.

News from mustyville.

Hoo-boy, it’s hot in here again. Marvin (my personal robot assistant)! Open a window. No, not with a chair. You don’t open windows by tossing metal chairs through…. HEY!

This is not good, folks. Marvin is doing the renegade robot from Mars bit again. It must be an errant line of code somewhere in his reams of programming. Every once in a while he gets ornery… I mean SUPER ornery. Starts breaking things, running things over, insulting people (including anti-Lincoln, who’s sensitive, you know) and otherwise causing mayhem. I suppose I should count myself lucky that we’re not on some interstellar tour with this happening. Living with a mechanical nutjob is one thing; sharing a cramped spacecraft with one is quite another. I don’t have to tell you that…. HEY! PUT THAT DOWN! THAT’S THE ONLY ONE OF THOSE WE’VE GOT LEFT, YOU DOLT!

Right … so much for our last rotating clay bust of Roy Orbison (with glasses a slightly darker shade of gray). Very discouraging. As if such vandalism isn’t bad enough, I think it was Marvin who started circulating nasty stories about me in the press. Or maybe it’s a coincidence – I have to think there’s SOMEONE else out there with the name Joe Perry. It’s a big universe, after all. In any case, yesterday, I’m sitting here minding my own freaking business. I open up the newspaper, and some dude named Tyler is trash talking my ass. I quote the Associated Press:

In an interview with Rolling Stone, Tyler says he and Joe Perry did drugs together in 2008 after years of sobriety …. Tyler says Perry was so impaired by snorting prescription pills, he couldn’t even play his instrument.

Okay, three things. One, I don’t know anybody named Tyler, so this is obviously a contrivance by a disgruntled robot (probably Marvin). Two, I resent the suggestion that drugs are making it so I can’t play my instrument. Many would say I can’t play my instrument even without the drugs. And finally…. how the hell did they know I’m sober? Are they hiding in my refrigerator? In my medicine cabinet? Is there no such thing as privacy anymore?!

Whoa, my apologies.  I need to get out of this abandoned hammer mill a bit more. (It is a little musty in here.)