Tag Archives: lyrics

Putting the strings on your banjo

2000 Years to Christmas

See, here’s the thing – I don’t even use a pick. I just slam the damn thing with my thumb. Yes, it’s primitive. Yes, it’s painful. But it gets the job done, sort of. So turn up the heat on that cookpot, dude. We’ve got some strings to boil!

Hiya, folks. Yeah, you guessed it – we’re boiling old strings, home style, so that we can reuse them. I snapped the top string on my Martin, framming away on some random cover song, and well … someone stole my pin money. You know … the pin money I use to buy strings. Why, you may ask, wouldn’t I just use string money? Simple – because I need that money for cooking oil. Do I have to explain EVERYTHING, for crying out loud?

The mechanical guitar tech

I would be the first person to admit that we are not a stage-ready band. It’s been a long while since we played anywhere, and we’re rusty as an old hinge. And as any working musician knows, you need to have your systems in place if you expect to sustain yourselves through a long-ish tour. I mean, it’s not like the old days, when we just packed up the broken down van and drove off … until it broke down. Then when we fixed it in the middle of the road, we got arrested, and …. well … it’s not like that now.

We always flew pretty low to the ground, frankly. Lord knows we would do things differently today. For one thing, I would press gang Marvin (my personal robot assistant) to be not only our roadie foreman, but my own personal guitar tech. That fucker can spin his wrists like a power drill, so it’s easy for him to do a quick string change. Mitch Macaphee even built a strobe tuner into his audio circuit. He’s like a freaking Swiss army knife (except no plastic toothpick).

Ain't you got that thing all strung up yet? Geeez ...

Line, please!

Then there’s the lyrics. It’s enough to test anyone’s memory. We could tape them to our mic stands, but that looks so damn lame. Matt could carry them around on his phone, but if he’s scrolling that infernal contraption with two hands, how’s he going to play his bass? And on top of that, he’s got about two million songs, so the lyrics would stack up to the ceiling, several times.

I guess we could get Marvin to feed us lyrics as we play, like a automatronic music stand. Too many jobs for our little brass friend? Nonsense! Why, I’ve seen him do a dozen things at the same time, though admittedly it was really just the same thing done a dozen times real fast. But sure, he could change my strings and hold up lyrics at the same time. It would hardly even begin to get in the way of his other duties.

Bootleggers and scalpers abound

I took a cursory look around the Internets this week and I ran across something I don’t see every day. It was some dude selling our third album, Cowboy Scat: Songs in the Key of Rick, on Ebay. Now that was strange enough, as we only pressed about three or four dozen discs at the time. What was even more astonishing was that I saw it on offer by someone else on Ebay who was selling it as a UK import! And the price point, people, the price point: $30!

Naturally, I wrote the dude and told him, hey … if he sells it for $30, we’ve got more where that came from. Place your bets, people, place your bets!

Taking the words WAY too literally.

2000 Years to Christmas

Jesus, man … another song about geoscience? Just wait until Mitch gets his hands on that. What’s the topic this time – gravitation? I guess he’s already fucked with that sufficiently. Still, I worry.

Yeah, that’s right. No one wants to see your friends in Big Green just moping around the abandoned hammer mill like a bunch of sad sacks, bickering with one another. So we make an extra effort to smile when we get visitors. And if we’re not in the mood, we get Marvin (my personal robot assistant) to do it for us. No, he doesn’t have anything like what you might call a mouth, but he’s got some grill work to show, and that will do in a pinch.

What’s the beef? Nothing serious. Just interrogating my illustrious brother Matt about the subject matter of his recent songwriting. Some of you may recall that his lyrics have spawned some trouble in the past. No, they’re not controversial or obscene in any way, but they do give Mitch Macaphee, our mad science advisor, some bad ideas. And he tends to take our song lyrics very literally.

The Question of George

A couple of years ago it was Matt’s song “Why Not Call It George?”, the lyric for which has always sounded to me, in part, like a bulleted list of mad-man items:

Gravity can: (a) make your mind flow out from your tongue; (b) take your eyes downtown to see the nuns all bunched up on the tiles; (c) pull your lips back from your smile

(Hear it yourself: Check out our live version of the song on our YouTube channel.)

Parts of that song made Mitch think he could (dare I say it?) rule … the world! Or at least reverse continental drift and reclaim Pangaea. I got nervous when he started spending months at a time in the lab … and the ground started shaking. Not. good.

This doesn't seem like such a good idea.

Eruption Imminent!

Then there was “Volcano Man”, a track from our 2nd album, International House. Mitch started obsessing over that one as well. You know how grade school kids sometimes build those baking soda volcanoes for school projects? Well, that’s a miniature version of what we had to deal with around this dump. Of course, Mitch had to open a vent straight down to the Earth’s molten caramel center, just so that the ‘cano was authentic. He was doing it with an upside-down rocket, Crack In The World style. What a mess!

Anyhow, I’ve tried to encourage Matt to write songs about less volatile things. You know, like …. butterflies, or cobblestones, or vegetable stew. Maybe you’ve got some suggestions that don’t suck (like these do).

Rough sledding.

2000 Years to Christmas

Take a look out the window and let me know what you see. What? What do you mean you don’t see anything? Did you open your eyes first? Okay. It’s just that you’ve made that mistake before, but …. let it pass.

Hey, greetings from the great north country! As you may have noticed, particularly if you live in the northeastern United States, we’ve gotten a little bit of snow this week. In fact, it appears to be up to the second story of the abandoned Cheney Hammer Mill, our adopted squat-house. That would be fine, of course, except that … well … we have to come and go occasionally, to get provisions, to frequent the local tavern (I’m talking Anti-Lincoln here), to mail parcels, etc. All of that vital, life-giving activity has been brought to a halt in the wake of a fearsome nor’easter that isn’t fit for Christmas, New Years, nor Easter. (That’s why they call it a nor … uh … never mind.) Yes, winter is here with a vengeance. I think it’s pissed at us for the previous couple of mild winters, likely fueled by runaway climate change.

Okay, so, if you were snowed into an abandoned hammer mill in upstate New York, what would YOU do to pass the time? I can think of one thing right off the bat: Christmas carols. Sure, we can gather ’round the old spinet, old uncle George will plunk out the tunes from the sheet music, and Frankie and the girls and I will sing five-part harmony on the classic yuletide favorites, like Pagan Christmas and Merry Christmas, Tarzan and other seasonal hits. We’ll have to get Tiny to sing the lead on Merry Christmas, Jane (Part 2), of course, and then we can all sip some mulled cider as we gather around the TV yulelog broadcast and sing along with Head Cheese Log.

Fa-la-la-la whaaa?

What’s that? You’re not familiar with those carols? Why, those are selections from Big Green’s 1999 debut album, 2000 Years To Christmas, now celebrating the first anniversary of its 20th anniversary. It’s been 20 for a whole year now! This past year we put the entire album on YouTube so that Marvin (my personal robot assistant) could listen to it without cranking up the phonograph like a Model T. No need to roll out the spinet, my friends – just call up YouTube, load the playlist, and hit play. We’ve even posted the lyrics so that you can sing along. So if you’re snowed into your abandoned hammer mill, no way to get out, tired of watching static on your rabbit-ear TV set, this is an easy way to pass the time. Send us a video of you signing along with the album on YouTube, and we’ll send you a free copy of the disc. (I think we’ve got one or two of them kicking around the place.) If you prefer the mp3 version, just get the disc and rip mp3s from it. Simple!

Anyway, happy sledding, my friends. Time to dig a tunnel to the bar … I mean, the bank.

My back pages.

2000 Years to Christmas

Hmmm, let’s see …. here’s a fragment. I think I wrote this in 1987. Or maybe a couple of years before that. Yeah, more like ’85. It’s got tahini stains on it, and I swore off tahini in ’86.

Yes, here we are, doing what upstate New Yorkers typically do during the colder months, when we’re all frozen in place, afraid to leave our homes, waiting for the waxing sun to favor us once again – digging through the archives! Here in the abandoned Cheney Hammer Mill, we’ve got lots of room for old cardboard boxes and file folders, hundreds of which have somehow found their way here from wherever we came from previously. I don’t know about you, but all of my possessions follow me around like a lost dog. I just don’t have the heart to turn them away. Poor little motherless stand mixer! You’ll always have a home with me!

Right, well … I don’t want to trouble you with some shabby inventory of my personal possessions. I’m mostly interested in old compositions from the early days of Big Green, when we were all knee-high to a locust. Ah yes, I remember those days well, piled into our spartan garret, scribbling away into repurposed notepads leftover from school, crossing out drafts of expository writing essays and replacing them with angry verse, channeling the angst of a then-young generation choking on its collective anger over … uh … having to do expository writing essays. And a couple of other things. Hey, those were the immediate post-punk years. We all started on Dylan and the Beatles as pre-teens, then moved on to the harder stuff when we were 20. Those 60s hipsters were our gateway drug.

Okay, let's have a look, then.

So, what are we finding? Old songs, pieces of songs, idea tapes, etc. I’m guessing there’s an album in this somewhere, though it’s going to look a lot like that Mousetrap board game by the time it’s finished. I’ve recruited Marvin (my personal robot assistant) to help me evaluate what to do with all of this old material. That’s a fairly simple process. I find some lyrics, I insert them into Marvin’s scanner, and the music goes round and round, whoa, whoa, whoa, and it comes out as a series of numbers. I then look up the numbers on the decoder ring Mitch Macaphee built for me (coincidentally, it looks just like the ones I used to get in my Cap’n Crunch cereal boxes) which renders a “yes” or a “no”. If it’s yes, then we consider turning it into something. If it’s no, well, into the bin it goes.

I’ve been getting a lot of nos, frankly. Either there’s something wrong with this ring, or I really sucked my way through the eighties. It’s one of the other, folks.

So anyway.

Music is a universal language and love is the key. Or maybe SOUND is the key. Love is the lock. No, wait … love is the music, language is the universe, and Francis Scott is the key. That sounds right-ish.

Well, we’re coming up on a little anniversary here at Big Green village, housed in the historic abandoned Cheney Hammer Mill in historic upstate New York. (A lot of history up here. Did you know that this area is as old as any other area on Earth?) What’s the anniversary, you ask? Thank you for asking. It’s actually the tenth anniversary of the release of our second album, International House, which we released back in fall of 2008. My goodness … has it been that long? Well, I guess it has. It also happens to be the fifth anniversary of the release of our third album, Cowboy Scat: Songs in the Key of Rick. And in case that isn’t nearly amazing enough, next year will be the 20th anniversary of the release of our first album, 2000 Years To Christmas.

Okay, so here are the ratios: 10:2, 5:3, and 20:1. Got all that? Good, because god knows I’m not paying any attention. Don’t get the wrong impression – we’re not one of those neurotic bands that keeps track of every insignificant date in our long history. Lord no, we gave that up on December 3, 1990 when I got that flat tire. WHY? WHY DID IT HAPPEN TO ME? Or was that Matt who got the flat tire? Maybe so. Right, then forget the why, why stuff. So anyway, we put International House out ten years ago. Kind of amazing, seeing as it took us five years to make that album in the first place. Five years, sixteen songs – you do the math. (Don’t ask me how.)

Aw, cheese and crackers!Well, so … how to celebrate? Our plan is to reissue songs off of International House via Soundcloud, so that the people can hear what they’ve been missing all these years. Because, hey listen … it’s all about the people. And what the people need is a way to make them smile. (Fun fact: every single phrase in this blog post is a lyric from some crappy pop song. Well … give or take a few.) All that’s on our Soundcloud site right now is some odds and ends, but that’s going to change, mister. You just wait and see.

And yes, we will get back to our podcast, THIS IS BIG GREEN. Patience, my friends, patience.

Wait a minute.

Got this song running through my head. It’s one of Matt’s from some time ago. I get that a lot, actually. Our entertainment center hasn’t worked in ages, so when we’re not playing I have to rely upon the jukebox in my mind for my entertainment. And just now it’s playing Big Green circa 1989, maybe. Couple weeks ago. The lyric goes like this:

Thought we were madly in love
but we were just plain mad
I always thought we were in love
But we were mad, just mad

Under a Gothic sky
we heard an ancient choir
In an amphitheater
we compiled notes and prayed aloud

We held our breath and heard the voice
of uncommon sense
We dropped our eyes and saw the floor mosaic move
We were in need of uncommon sense
We met the face of foolishness

In the torrential rain
we still open the mail
We still shake the pieces
Still building boats unsafe to sail

We were badly in need of some
uncommon law
We were sadly in need of some corrective lens
We were in need of uncommon sense
We met the face of foolishness

We weren’t in love
We were mad

That song is called “Uncommon Sense” and I literally haven’t heard it in years. So why is it bouncing around in my bean? No freaking clue. Stuff just bobs up like an inflatable horse in a swimming pool. Or something else that bobs up … maybe somebody named Bob who comes up for the weekend. Not that that’s ever likely to happen. And what if he has special dietary restrictions? Okay … where was I?

Eight-tracks are just fab, man.I think I’m hearing music because my mind is wandering. It’s like hold music – something has to fill the void, and since my psyche is out on vacation, someone fired up the old juke box. Sometimes it’s junk-ass radio pop music from the 1970s. I won’t even name some of the ear-worms I get because then you will have them to grapple with for the rest of the day, and you will end up hating me until the end of time. You know, songs like “Billy, Don’t Be A Hero”, for instance, or “The Night Chicago Died”. Oh, God damnit!

Fortunately for me, my brother and collaborator in the musical collective enterprise known as Big Green has written a smoking ton of music over the past three decades. I can run his song list end-to-end in my head literally non-stop for about three weeks and never play the same song twice. Admittedly, I don’t have a lot of control over what I’m hearing with my mind’s ear – not like Marvin (my personal robot assistant), who actually has an 8-track cartridge deck built into the side of his brass head. All he has to do is hit the channel button and it hops over to the middle of another song. Welcome to the future, friends.

Note to cognitive scientists: if you figure out how to change earworm songs, let me the fuck know. Thanks mucho.

Scatology.

That’s right, it’s “crab nebula”. What does it mean? How the hell should I know? What am I, some kind of astronomer or something?

Jesus Christ on a bike (which he may well could have been, had he lived in modern times), your brother goes and writes a song lyric and the next thing you know people expect you to tell them what the Sam Hill it means. If I knew that, then I would know what the hell Matt is talking about half the time when he talks … and I clearly don’t, even though he is my own flesh and blood. He ain’t heavy, he’s my brother. It’s his songs that are heavy. Mucho heavy, baby.

What song am I being asked about? Well, it’s one of the tracks on our forthcoming album … I mean, collection, entitled Cowboy Scat: Songs in the Key of Rick. (Rumor has it the songs are part of the soundtrack of a musical about our cousin Rick Perry, but that the musical itself was lost over the side of a pleasure craft on Lake Tahoe.) The song in question is called “Evening Crab Nebula”, and it takes the form of three pieces of sage advice to Cousin Rick from one of his political consultants; one pep talk regarding his primary opponents; one cautionary trope about unseating a president; and this observation about the dangers of being too devout in your beliefs:

If you’re gonna’ follow that evening star
better be sure how wise you are
If you’re gonna’ follow that evening star
better not follow it all too far
or you’ll be choked and froze in the vacuum of space
Can’t treat the Crab Nebula
like it’s there to direct yuh
by pointing out some pertinent
biblical place

Now is that so hard to decipher? Well, of course it is. All political advice is that way, right? That’s why those consultants get the big bucks. (Where have I heard that lyric before? Hmmmm….)