Tag Archives: Marvin

Next on the list.

Let’s see. Step three hundred seventeen. Plug lead E7 into jack B47. Check. Step three hundred eighteen. Remove cap from light-pipe cable and insert into port F1. Check.

Finished yet? Nearly ready.Oh, my goodness. Didn’t know you were reading this. Bet your eyes are glazing over. I’m just working through the instructions for this do-it-yourself project studio. It came in a big, flat box, some assembly required. In fact, quite a bit of assembly required. That explains the bargain-basement price. That fellow in Bangalore seemed very anxious to unload this little gem. At least he was an engineer – I am, at best, technically challenged, and at worst, a danger to public safety. Have you ever manually wound a transformer before? I know I haven’t.

Typically I would leave such menial tasks to Marvin (my personal robot assistant), but as you may have noticed from the last few postings, he has been making himself quite scarce. Last week he took a trip to Cincinnati to visit the National Museum of Robotics and Animatronics. Didn’t even know such a thing existed. Anyway, he was gone for about five days, came back with a few scratches and a cardboard pirate hat for his trouble. I know … it sounds suspicious to me as well, but there are certain questions you just should never ask of your personal robot assistant.

Why are we building our own studio? Well … the one we have right now is getting a little long in the tooth. I expect you know this, as I’ve mentioned it often enough. Big Green has recorded one album (2000 Years To Christmas) on an eight-track Tascam DTRS system, two albums (International House and Cowboy Scat: Songs in the Key of Rick) on a Roland VS-2480 with various peripherals. The eight track machine is basically a doorstop. The VS-2480 is 13 years old and is not well. It’s choked with projects and has no practical means of exporting data. We are still recording on that system, but just around the edges … gently, gently. Hence … the do it yourself studio. Either that or a Kickstarter Campaign. Still scratching our heads on that.

Head scratching, step three: Press nail of index finger on scalp and move finger back-and-forth.

Running late.

I guess my alarm clock doesn’t work. Don’t understand it. I wound it up tight as a drum sometime last year. Stupid bloody thing. Oh, well.

Yeah, maybe we WON'T fly Antares.Sometimes it actually pays to be late. I’ll give you a for instance. There was this gig on Mars we booked for next month, and we were planning to take a private rent-a-rocket up there, having lost contact with our mad science adviser Mitch Macaphee. That’s fine. Only the rocket is an Antares Orbital CRS-3. Yes, THAT Antares Orbital CRS-3. The same one that blowed up real good a couple of days ago. Oh, yes. That’s the flight you WANT to be late for.

I know what you’re going to say. It’s an orbital CRS-3, Joe, not an interplanetary CRS-3. What the hell are you doing, taking an orbital ship on an interplanetary journey of this type? Well, my friends …. I’m glad you asked that question. My answer may surprise you. In fact, the reason why we’re doing that is that, as I mentioned earlier, we no longer have our mad science adviser, so we don’t know what the fuck we’re doing. As good a reason as any. Better than most, in fact.

So, probably just as well that we didn’t take the CRS-3 to Mars. Looks like it may not have made it there in one piece. That scotches the gig, though – it was the only ride in town, now that NASA isn’t lighting candles anymore. For those of you who complain that we never perform live, I offer you this rejoinder: we would have done, except that the Antares rocket blew up. How are we supposed to perform live when that rocket blew up?

All bands have some excuse for what they do and what they don’t do. Big Green is no different. I will never say never, but most of what we do now is in the studio, stitching podcasts together, recording ludicrous songs, and asking Marvin (my personal robot assistant) to do his imitation of Joseph Cotton. Our only explanation for such sloth is, well, rocket engine issues.

Post haste.

What the hell, was that September just then? Fricking amazing. This is truly the meltaway year. We’re almost down to the chewy caramel center. (I think of September as mostly nougat, frankly.)

THAT'S where we'll be? Huh...Well, I suppose it’s safe to say that we won’t be posting a September podcast. Yes, we recorded one. Yes, we still have a computer and internet access. No, I didn’t leave it in my other pants. It’s still under construction, okay? It’s in far more capable hands than mine, I might add. And I am confident that those hands are hard at work, editing wav files, and not shuffling cards or clicking a remote or (God forbid ) tapping on a phone. (This would not be a good time for me to get a text with a link to some lame video.)

I guess it’s hard to deny that we have essentially departed from our monthly podcast schedule. That is, in part, due to our titanic laziness, but also to the fact that our Ned Trek productions have become much more ambitious in recent months, demanding more and more resources, elaborate sets, casts of thousands, pricey special effects, craft services for the crew, exotic oils forĀ  Marvin (my personal robot assistant), you name it. It isn’t easy to produce an epic. Nor is it easy to produce a hack-job podcast, but (and this is important) doing so is easier than the thing with the epic. Are you following that? Good.

I have to think that more than a few of you are wondering, “Well … he’s got time to write this stupid blog post. Why doesn’t he just use that time to finish the podcast, or write a song, for pity’s sake?” Good question. We in Big Green have always been of the belief that timely and accurate reporting is key to the success of any band. If you don’t know what we’re up to, we won’t know either, and THEN where will we be? In Coventry, that’s where! (Actually, I hear that’s quite pleasant this time of year.)

Anyway, where is this getting us? Must get back to finishing that September … I mean, October podcast. Stay tuned.

Tonight’s the night.

That's it, over there.Well, shut my mouth. There appears to be some kind of celebration taking place up the street from the Hammer Mill. Maybe we should mosey on over there. Or maybe not. This street’s getting a little rough. (I don’t mean crime-wise. I mean the pavement’s in pieces, as in potholes the size of a Buick … some with Buicks stuck in them.)

It’s a natural fact – we need to get out more. Big Green is getting house bound, or mill-bound, if you will. Part of it is our reluctance to play gigs anywhere on planet Earth. That is, admittedly, a failing of ours. Mea culpa. I don’t know why we don’t perform on our mother world. Maybe it’s the gravity. My keyboards weigh a ton on earth, but when we play, say, Phobos, I can pick them up with one hand. Sure, there aren’t a lot of music fans there … none, in fact, but setting up is a breeze!

We’ve been asked to consider playing a club or a college here on Terra. Why, just last week, Marvin (my personal robot assistant) said we should set up in the old man bar on the corner and jam until they boot our sorry asses back into the road. Inartfully put, perhaps, but his corroded tin heart was in the right place. So the other night I dropped in at that joint, sat there and stared at the piano for a couple of hours. I didn’t make any noise, so I left. I’m going back again tonight to see if there’s a different outcome.

Old man bar on Earth, zero-gravity lounge on Neptune – it doesn’t make much difference to us where we play, so long as we know what the hell we’re playing. I’ve never been good at set lists, but I know that if someone on stage picks the songs, it’s less likely that we’ll have to play a bunch of stuff people ask us to play. Like something by the Scorpions, for instance.

Whoa, is that the time? Time to go out in the street and be sociable. Talk soon.

Sweep up.

Oh, sweep up! I’ve been sweeping up the tips I’ve made! I’ve been livin’ on Gatorade, planning my getaway!

Grab a broom, hey willya?Apologies to Paul Simon. Actually, except for the Gatorade part, that sounds like the story of my life just lately. Trying to tidy up the cavernous squat house we call the Cheney Hammer Mill ahead of the coming winter months. Nothing worse than a dusty house when the snow is up to the rafters – ask anybody who’s spent a few frigid seasons here on the dark side of the year. So, just plying the old broom across the brick floor.

Marvin (my personal robot) is running the vacuum in the background. Not a vacuum cleaner, you understand – an actual time/space vacuum he created with the orgone generating machine Trevor James Constable left behind so many years ago. Amazing how that thing still runs after years of neglect, no one to tend its complex servos and circuit boards, not even our mad science adviser Mitch Macaphee, who used to tinker with the thing from time to time before he relocated to his new lab in Madagascar. (Don’t go there! It may no longer even exist, the way he messes with the space-time continuum.)

While I’ve been occupying myself with domestic duties, I’ve been listening to a one-off CD of some of our Ned Trek songs. They need a little work, but I don’t doubt that we’ll release them in some more finalized form one day. I’m contemplating a late year holiday release or two on YouTube, maybe a collection of Ned songs sometime after that. It’s adding up to a lot of material, actually – about 25 songs and counting, pretty much all of which have showed up on THIS IS BIG GREEN in draft form. I know, I know … sounds like another Cowboy Scat: Songs in the Key of Rick. Yep, well … that’s how we roll these days.

Hey, listen to me, right? Interstellar tour, new album, YouTube videos. Slow down, maestro, you move too fast. You got to … hoo boy, there’s Paul Simon again. Stop it, man. More later.

Bloody script.

Where are my thumbs? Without my thumbs, I can’t type. Or at the very least, make spaces between what I type. Wait … did I say that? Is someone speaking?

You can start pulling your weight any time.Sorry. You’ll have to forgive me. I’m hip deep in finishing the script for our next episode of Ned Trek, as featured on the THIS IS BIG GREEN podcast. And though I write for a living, writing has always been a teeth-pulling process for me, resulting in sleepless nights, even more sleepless days, and other trepidations too numerous to … to enumerate. Am I making sense? (Possibly not.)

I know what you’re going to say. (Either that or lack of sleep is causing me to hear voices in my head.) Why the hell am I concentrating on a script for a stupid, knock-off podcast horse ballad instead of spending my time working on new songs, producing an album, preparing for another interstellar tour, etc.? My response? Meh. No man can say. I do it because I do it. And because Matt tells me to, which should be enough for anyone. (Or not.)

I would parcel this work out to Marvin (my personal robot assistant), but he really does not have any thumbs, so typing is merely an impossibility for him. Otherwise, he is amply qualified to churn out the kind of poorly constructed melodrama / farce you have come to expect from yours truly. Maybe I ask to little of him. Maybe I shouldn’t let him hang about all day, talking to the electronic stapler, getting machine oil on my vegetables, and so on. Maybe it’s just time he PULLED HIS WEIGHT AROUND HERE. (This is how we communicate with one another. It’s cheaper than texting.)

Anyhow, I expect I’ll see Matt for another recording session this week, then return to my keyboard for another tortuous night of scriptwriting. Oh, the pain of creation! Where is my bourbon, my absinthe, my pain killers, my … I don’t know. I like cat videos. WHERE ARE MY CAT VIDEOS?

Plan ahead.

Is that where I left it? Oh, Jesus. Well … I’ll have to pick up another one, then. It’ll be long gone by now. Bloody inconvenient.

Work harder, not smokier.Oh, hi. Yep, I left my hand-carved walking stick at the bakery again. Second time this month. Last time, some old guy walked off with it … and yes, he was older than ME. Not exactly an heirloom, you understand. It’s actually just a branch that fell off the poplar tree in back of the Cheney Hammer Mill, by the canal. I cut some bits off of it, peeled back some of the bark, and voila! Cheap crutch.

Not that I need a walking stick. Fact is, I’ve been trying to stay close to the Mill as we plan our next interstellar tour. Nothing particularly ambitious, you understand – just a couple of the major star clusters, maybe a jaunt out to Aldebaran. (Matt’s not real crazy about that last one. The gravity’s a little strong for his taste.) I’ve asked Marvin (my personal robot assistant) to crunch some numbers on possible itineraries that might result in, I don’t know, a few extra shekels in our pockets. There’s some smoke coming out of his head, so he must be working on it. Good man.

Where’s the next episode of THIS IS BIG GREEN? Still in development, my friend. These things take time, particularly when you’ve got as full a plate like yours truly. Suffice to say that I am straining myself to the limit simply taking these few moments to write this post. Our production manager, the mansized tuber, is literally hitting me over the head for that script. Yes, tubey – I’m working on it! (Pssst … Don’t tell him I’m not.) It should be another extravaganza, perhaps unprecedented in its sheer stupidity. But don’t take my word for it …. Take …. someone else’s. Not sure where I was going with that.

Well, better get back to work. I’m typing, Tubey! Can’t you hear me typing??!

August down.

Hey, let's go to outer spaceMan, it’s so hot in here. Marvin, can you turn up the air conditioning? Oh, right … our air conditioning is a broken skylight. Sigh. Okay … break another skylight, then. Use my forty-foot pole … the one I use to keep my distance from things (and people) I don’t like.

Yes, friends … it is the end of summer, past the dog days. August is coughing up blood, writhing in the blistering sun. (Look on the bright side, brother.) Not much going on around the abandoned Cheney Hammer Mill, as you might have suspected. I laid down a piano part on perhaps one of the most ludicrous recordings I’ve ever played on. I saw some bluejays in the courtyard. What else happened? Not mucho.

Whoever said being a musician is tantamount to perpetual unemployment was on to something. (Hey … I think that was me.) You can see why we often opt for these less-than-optimal interstellar tours, in lieu of the more profitable terrestrial variety. Pretty simple, really … crappy work is better than no work at all. We are always open to seeking a new audience, even if that means holding our breath for weeks at a time. (There must be a better way to travel through space. Where’s Gene Roddenberry when you need him?)

Once we get finished with the current set of recordings, Big Green will likely take a romp around the known solar system; maybe a 2-week Autumn tour to promote … I don’t know, whatever we have to toss out there. Trouble is, on most alien worlds, the music fans have six or seven arm-like appendages, so you have to have a lot of product to keep them satisfied. Hell, they can absorb our entire canon and still have several arms free. We’ve got to get busy!

My hope is that, this time, wherever it is we’re traveling to, we have the assistance of Mitch Macaphee, our mad science adviser. His absence was sorely felt on our last, disastrous foray into the galactic hinterlands. Which proves that having a crazy driver is better than no driver at all. (At least out where there’s very little to crash into.)

Rainy day schedule.

Okay, kids. Line up for lunch. No, we’re not going outside. Rainy day schedule today. Break out the coloring books and the tunafish sandwiches.

I got my process, man. Or somethin.

If you’re anything like me, that was your favorite kind of lunch hour in grade school. No going out on the playground and putting up your dukes against whatever red neck wanted a piece of you that particular day. Why the reverie? Not sure. I guess all that rain beating down on the roof of the abandoned Cheney Hammer Mill has made me think of some of the other sprawling, musty barns I’ve inhabited for years at a time. Other squat houses, apartments, schools, lean-to’s … hell, submarines, even. Don’t knock it! It can rain all it wants, and no leaks (unless you opt for the screen door).

What’s up this week? Just toiling away in the vineyards of Big Green-ville, scratching out weird new numbers, honking noisily into microphones, tapping away at Ned Trek scripts. Mostly just making stuff up on the fly – that’s what we’re best at. And when I say “best”, I mean “not worst”. Even Marvin (my personal robot assistant) gets into the spirit of honest creative toil once in a while, running his internal adding machine until spools of tickertape unravel from his nether regions. It’s a marvelous … or, rather, Marvin-lous sight to behold.

Some people (mostly derelicts along the curb outside the hammer mill) have asked if we’re working on a new album. I have no answer to that. Matt and I just work, and then one day maybe an album appears. It’s a kind of alchemy. I’ve described the process on this blog before, so I won’t bore you with the details of our songwriting and recording methods. Suffice to say that it looks more random that it is, and yet still, it is fundamentally random … and random-mentally fun. That latter part is what’s important.

I’ll keep you posted on our projects. Just enjoy your sandwiches … and try to color within the lines. There’s a good chap.

Crackpot diary.

Twelfth day before the mast. I see a ship on the horizon. The Dutchman? Nay. ‘Tis nothing but a garbage scow. Or perhaps a pleasure craft that’s lost it’s way. Avast.

That sounds odd.Oh, hello, there. I was just engaging in a little imagineering, to borrow a term. It gets kind of quiet around this big old barn of a hammer mill, so you have to think of other things and more exotic places. I am certainly not alone in that. Marvin (my personal robot assistant) went on a flight of fancy this past week. I think he imagined himself a paper shredder in a busy office. Hard to tell, really, except that he kept muttering “stapling machine” to himself, as if he were talking to a neighbor. Then he would make this grinding noise, and confetti would blast out the equivalent of his blowhole. Not my choice of fantasy, but hey … whatever floats it, right?

I’ve taken a few moments between sessions to scroll back through some of the music we’ve made over the last year or so, under the name of Big Green but in support of the Ned Trek program segment of This Is Big Green. In the aggregate, it definitely constitutes a crackpot diary of sorts, kind of like Cowboy Scat: Songs in the Key of Rick, only even more bizarre, in a way. I think it’s the horse voice, and the fact that all of Mr. Ned’s songs have a kind of dressage horse dance meter to them. Then there’s those forties guys. Not sure what to make of them.

Is there an album in this? Glad you asked. I wouldn’t rule it out, but that goes into the project hopper alongside our long-planned “resurrection of songs past” album. We’re halfway between recording systems right now, still using our distressed old Roland VS2480 system with enhancements; hopefully moving to a standard open Mac-based system, perhaps Cubase. Whatever we can get to work for us. We’re semi-primitive, you know, so we have to try things for a while before we make a change.

More on that later. I’ve got to listen to some of those crackpot songs again and see if maybe there’s grounds for having one or more of us committed. They don’t do that so much anymore? Right. Just as well.