Tag Archives: Matt

Now, where did I leave those Cardboard tubes?

Get Music Here

Man, it’s hot today. Maybe we should make some tea. Like a whole pot of tea. Perfect day for it. Just fill the pot with water, put it on the counter and watch it come to a boil. No problem – lovely pot of tea.

Well, it’s August, and it’s hot enough to boil a monkey’s bum in here, as the sages of Monty Python once said (with a cartoonish Aussie accent). It will come as a surprise to no one that there is no air conditioning here in the abandoned Cheney Hammer Mill. In fact, the closest thing we have to air conditioning is some holes in the roof – holes that let the air in. Sometimes the air is cool, sometimes not. It’s conditional, on account of the changing weather …. air conditional.

Things my comic books taught me

Summers like this remind me of my misspent youth. I say “me”, because no one else here remembers my misspent youth. Even Matt, who misspent much of it right alongside me, doesn’t care to remember, and who can blame him? If you remember the 1970s, you probably weren’t there. That said, I remember quite a bit of it, particularly around the middle. Like an Oreo or Hydrox cookie, the ’70s had a creamy center, with crunchy wafers on either side. Ask your mother.

We had a roof over our heads and three squares a day, but not a lot of spending money. So we took to entertaining ourselves the cheap way. You know what kids are like – they’ll whittle a canoe out of an old birch tree. I was like that. Hell, I fashioned a bong out of old cardboard paper towel tubes and tape. Got the plans out of the back of a Zap comic book. It might have been Dr. Atomic or something like that. And yes, it was made of combustibles, but it didn’t catch fire …. right away.

Red sales in the sunset

Another summer tradition: we’re in the red. There’s a lot of reasons for this. One is that we’ve never really been a beach band. I think you could count on one hand the times that we’ve collectively been to the beach for something other than bird watching (Matt) or metal detecting (Anti-Lincoln). In other words, our music is not synonymous with summer fun. We’re never likely to write the big hit of the season, despite all the trying. That’s okay. I’m not sure what we would do with riches at this stage. (Tell me more about those riches …)

Yeah, not really our thing.

You know, it’s a pity comic books aren’t as universal as they used to be. If they were, we could move a lot of music through those suckers. I can see a Big Green ad tucked into the back pages, between the Charles Atlas fitness course and the patented Onion Gum. Just clip out the coupon and mail it in with a nickel taped to the little circle. We’ll send you Big Green’s latest album, plus a publicity photo signed by yours truly. The thing practically writes itself.

Get yours someplace else

Hey, while we’re sweating to the oldies, this is probably a good time to mention that we’re now on BandCamp. We’ve uploaded our first two albums there, will add more in the near future. Check it out, friend us, share our page, throw us a bone, hey will you?

Dictating machine.

Hmmmm…. damn thing won’t upload. Stupid internets! Marvin – are you on the phone again? You’re supposed to wait until I’m done using the web. Stupid phone!

Man, I’ll tell you – it’s not easy living in an abandoned hammer mill. None of the familiar modern conveniences of American life. No wi-fi, no broadband, no blender, no dry ice … I could go on. But we’re used to that sort of thing. As you know, Big Green has always flown pretty low to the ground. That’s why so many of our contemporaries have become famous while we remain in the alt-pop toilet. When we go low, they go high. It’s like a freaking see-saw. (Did you see what I saw?)

Anyhow, people like us, we learn to do without. When Matt and I were piecing together the first iteration of this band, back in the late seventies / early eighties, we had the cheapest equipment any band ever thought of using. Our PA speakers sounded like kazoos. Our guitar and keyboard amps were underpowered and flaccid. Even worse, we never had anything decent to record on. One stereo reel-to-reel deck followed us around for a while, but it was of little use beyond serving as a tape echo. A friend of our early eighties drummer, Phil Ross, gave us his old dictaphone mono take deck, which we used to record demos of songs we might take into the studio if we could get the scratch together (which we did, eventually).

Yeah, that's the shit.It took a couple of years, but at some point we moved up to a Panasonic audio cassette deck, the kind that you would use in a home stereo system. We used that and a couple of mics to record ourselves playing in the living room, etc. (Excerpts of those sessions made it on to Matt’s very early compilation, “The Todd Family Chronicles”.) Matt got a second deck and started bouncing tracks, overdubbing, then around 1985 he bought his first cassette portastudio. That kind of took us to a different place musically, though where that place is, I’m not entirely certain. As we could, we got better gear, but our songwriting and recording process has remained about the same as it was with that first portastudio.

Now we record like everybody else does – on a freaking computer. Fact is, a depiction of pretty much any profession now looks like somebody sitting at a freaking computer.

Toast terrific.

Damn it. Misplaced my breakfast again. Third time this morning. I definitely need more sleep. If anybody trips over some cold toast and a half-empty mug of tea, drop me a line.

We keep odd hours here in the cohort of collectivists known as Big Green. Matt, the naturalist in the group, is up at all hours chasing after critters, feeding them, changing their diapers, keeping them safe from the elements. That’s a slight exaggeration, but only slight – the guy is attempting to single-handedly make up for all of the injustices meted out by god and man. Kind of time-consuming. Me? I am the unnaturalist in the group. When I am outside, I think to myself … “This is too strange for us, Hanar. We are creatures of outer space. We long for the comforting closeness of walls.”

Okay, if I’m paraphrasing classic Star Trek, I must be a little groggy. (Too much grog, perhaps.) I’m up late at night in the lab, sometimes. Did I say lab? I meant studio. Cranking up the keyboard, jamming along with drum loops, listening to old recordings and occasionally committing something to disc. Then I’ll climb the stairs to my bedroom and get halfway through a decent night’s sleep before Mitch Macaphee detonates some weakly controlled “experiment” in his lab (yes, lab), shaking the walls of the abandoned Cheney Hammer Mill to their very foundations. We’re not so different, Mitch and me. Profoundly sleep-deprived. Trying to make loud noises using sophisticated instruments. Nearly bringing the house down on our heads.

Lincoln, did you steal my toast?One of my obsessions of late has been rebuilding our YouTube site. That’s my hobby, if you will, until Matt returns from Peregrine Falcon watch. (To catch up with him, see his Falcon Watch blog.) We don’t have a lot of video to post as of late, but we do have archival material that may be of interest to those who have limped along after Big Green for lo these many years. I will drop a note to all and sundry when I launch the new YouTube channel. There will be a few takes from an old video demo in there, most likely, along with our usual compliment of strange videos.

Okay, down goes the toast. Turn the keys up to eleven. And Mitch is back in the lab, so … boom goes the dynamite.

Summer reverie.

Say, do you remember when we took that bicycle trip up the side of Mt. McKinley?  Nope, neither do I. Well, now I’m guessing it never happened. Another false flag operation in brainville.

Oh, hello, reader. I’m afraid you’ve caught me in the midst of an early summer reverie. I don’t want to give anyone the impression that I’m going to spend the entire season looking backward, but I will admit that I put my tee-shirt on backwards this morning. Harbinger of things to come? Of course not. Nevertheless, when you’ve got an abandoned hammer mill full of accumulated junk from more than a decade of habitation, every day is a bit like an archival bin dive.

Does that sound like a summer project to you? Well, it does to me … sort of. I told you about the demo video from 1993 that I’ve been resuscitating these last couple of weeks. Last weekend I remastered the audio and I’ll do some editing over the next few days. My summer report will be about resurrecting our YouTube channel, which is, essentially, my personal YouTube channel rather than an official Big Green video hub. Right now it kind of resembles the Cheney Hammer Mill – a big pile of unrelated videos about music, politics, linguistics, philosophy of mind …. whatever the hell I spend my free time watching and (mostly) listening to. Hey … my phone is my entertainment center, okay? That’s how you know I’m American. (Want a candy bar? Cigarettes? There’s a bodego across the street.)

This could take a while.Just the other day (don’t ask me which day) I stumbled upon some old promo shots of Matt and me back in our Big Green duo days, in the late 80s. (I can tell when it was because I was wearing a sports jacket with the arms rolled up. Hey … it was comfortable, like the fuzzy slippers.) I think it was right after Ned Danison left the group and I moved back to the Utica area. In a couple of shots we were consciously trying to lampoon a Rolling Stone magazine spread about U2’s current album at the time, Joshua Tree. (They had a shot of U2’s drummer looking admiringly at Bono from about five paces away. I think there was a cactus in the photo somewhere.)

What’s next … the handlebars of my first tricycle? Never fear … we will get back to making new things rather than digging up old ones. Just give us a little interval. Ah yes.

Bloody script.

Where are my thumbs? Without my thumbs, I can’t type. Or at the very least, make spaces between what I type. Wait … did I say that? Is someone speaking?

You can start pulling your weight any time.Sorry. You’ll have to forgive me. I’m hip deep in finishing the script for our next episode of Ned Trek, as featured on the THIS IS BIG GREEN podcast. And though I write for a living, writing has always been a teeth-pulling process for me, resulting in sleepless nights, even more sleepless days, and other trepidations too numerous to … to enumerate. Am I making sense? (Possibly not.)

I know what you’re going to say. (Either that or lack of sleep is causing me to hear voices in my head.) Why the hell am I concentrating on a script for a stupid, knock-off podcast horse ballad instead of spending my time working on new songs, producing an album, preparing for another interstellar tour, etc.? My response? Meh. No man can say. I do it because I do it. And because Matt tells me to, which should be enough for anyone. (Or not.)

I would parcel this work out to Marvin (my personal robot assistant), but he really does not have any thumbs, so typing is merely an impossibility for him. Otherwise, he is amply qualified to churn out the kind of poorly constructed melodrama / farce you have come to expect from yours truly. Maybe I ask to little of him. Maybe I shouldn’t let him hang about all day, talking to the electronic stapler, getting machine oil on my vegetables, and so on. Maybe it’s just time he PULLED HIS WEIGHT AROUND HERE. (This is how we communicate with one another. It’s cheaper than texting.)

Anyhow, I expect I’ll see Matt for another recording session this week, then return to my keyboard for another tortuous night of scriptwriting. Oh, the pain of creation! Where is my bourbon, my absinthe, my pain killers, my … I don’t know. I like cat videos. WHERE ARE MY CAT VIDEOS?

Down for the count.

Okay, I think we have this thing settled. Everyone in agreement? No? Good. We value diversity of perspective here at Big Green. Especially when LIVES HANG IN THE BALANCE….

Big GreenSorry, friends. I hate to raise my voice, but sometimes you just have to. With sketchy-looking promoters breathing down our necks (and judging by the aroma, they had limburger hoagies for lunch), we are still hashing out the details of our means of transport on our rapidly approaching interstellar tour in support of Cowboy Scat: Songs in the Key of Rick, our latest album. We have, in fact, identified a rent-a-wreck spacecraft that is within our budget. It’s being offered by a subsidiary of our corporate label, Hegemonic Records and Worm Farm, Inc., operating on the planet Neptune. Fortunately, they deliver. (But only as far as the moon. I guess that extra 239,000 miles is a bridge too far for these goons.)

Okay, my thought was this. We program Marvin (my personal assistant) with the ability to fly the craft from the moon back to Earth. Then we, well, get him to the moon somehow. Matt suggested one of those really big rubber bands, stretched between the legs of the St. Louis Arch – just aim and shoot! Sure, that sounds good, dear brother, but how the hell are we going to get to St. Lookin' good, Marvin. Louis? We can’t even get to the moon, for chrissake. Then there’s always the option of telemetry – just flying the ship here by remote control. But with Mitch Macaphee, our mad science advisor, in a hammock in Madagascar for the fourth consecutive month, we haven’t the means of contriving such a device.

Damn … if that hammock were only here instead of Madagascar, we could maybe use that instead of the rubber band. Hmmmmm…

Anyhow, I saw a picture of the ship, and it looks pretty tight. Kind of like a 1979 Oldsmobile diesel station wagon, only a little less buff. (Matt doesn’t see what I’m seeing. He thinks it’s a death trap. I see only goodness and niceness.) If I can share it with you, damn it, I will.

Well … while we’re waiting for the countdown to begin, we’ve got a podcast to finish. So, down to the basement, man the mics! Stop making sense!

Tour log: quatro livre. (Say what?)

Here’s the fourth installment of our vaunted tour diary. Anybody got a pen? How about a knife? I can just whittle the words. A pen knife? Even better!

Where have all the good tours gone? This one has gone a bit flat, though I will say that we did manage to get the rent-a-ship rolling again, thanks to sFshzenKlyrn. I know what you’re thinking – he probably used some kind of trans-temporal presto-digitation to conjure us up a new ion drive servo chip. No such thing. He just waited until Marvin (my personal robot) was in sleep mode and plucked the chip out of his sorry hide. (Marvin lists a bit now. Not that that’s a bad thing… I have him doing our set lists. Boom-crash.)

Here’s the lowdown on Big Green’s [INSERT NAME HERE] Interstellar Tour 2011:

10.31.2011 – Hallowe’en on Betelgeuse. Surprisingly, this is kind of a big deal up here. Not that they do the costumes or the trick or treat. In fact, it’s kind of an interstellar anti-gravity day – the Betelgeusians (unlike humanity) have mastered the science of gravity. They’ve got this big-ass switch, the size of Texas, and every October 31st (our time) they flip it and then their iridescent pseudopods leave the ground. Talk about fun. (That’s right – just talk about it.)

11.01.2011 – We start the month on the right pseudopod. Hit the stage around 10 p.m. local, played for almost three hours. Matt tried open tunings on his kazoo during “Just Five Seconds”. (We’re way ahead up here.) I’d never seen sFshzenKlyrn play his telecaster with a violin bow before, and  during our last set Anti-Lincoln seemed to have gotten his hands on a dulcimer somewhere. Leave Earth a four-piece, return home an orchestra. That’s the magic of space travel.

11.03.2011 – We are the 99 and 44/100 percent! New slogan for Ivory soap – what do you think? No, actually… it’s the current chant down here on Neptune. We’ve joined in the “Occupy Neptune” project for the few days that we’re here. Had a few celebrity drop-ins already this week. Tomorrow’s a general strike. Of course, there are only about five people on the whole planet, but frankly…. that makes organizing a snap. Don’t even need freaking Twitter.

Well, so anyway… keep the faith down there in Oakland, New York, Boston, and everywhere else. We’ll hold down the fort up here on Neptune. In fact, we’ve got the outer planets covered – no worries.

Pod bay door.

The good news is, we’ve scored a ride to the stars. The bad news is… it’s aboard a doomed ship sent from hell. Not the kind of luxury we’re accustomed to, but hey… we’ll manage.

Big Green will be departing for Jupiter, Neptune, Pluto, and points east (I believe it’s east) on September 29 for our [INSERT NAME HERE] Interstellar Tour 2011. Not that the date is much of a concern, now that Mitch Macaphee has a tenuous hold on the time-space continuum. If we miss our launch date, what the hell, we just have Mitch send us back a few days. Depending upon what kind of a mood he’s in, that could be easy or hard, very hard. (Actually, Matt thinks that if you run backwards really fast, you will go back in time. Call me a skeptic… though I’ve noticed that when you run forward real fast, time seems to move forward. If this were an elegant universe, the converse would be true. And no, I don’t mean the sneaker.)

I should mention that, as we wait for our departure, we are in the midst of what I would call a series of “mini-sessions” in our Hammer Mill basement studio. These are related to production of our new podcast, THIS IS BIG GREEN, the second installment of which is now available on iTunes and directly from us peoples. This time out we’re featuring a somewhat rich discussion of the thinking (or lack of same) behind our song “Quality Lincoln”, a rough draft of which we include on the podcast. What we’re doing is laying the basic tracks for a song, playing that on the podcast, and then finishing the song later for separate release. The result may be another album, a series of EPs, or something else entirely.

I should also add that “Quality Lincoln” is not so much one song, but rather three songs, knit together with sturdy fibers of ludicrousness. I suppose there are better ways to spend one’s time as he/she waits for an accursed space vessel to pick him/her up. I just can’t think of any, and I’ll wager neither can you.  Or perhaps I am mistaken.

Well, is that the time? Was that me talking just then? Perhaps. Hey – give the podcast a listen and let us know what you think. Send an email or something. More fodder for the podcast.

A fungible outcome.

Okay, who’s going to Betelgeuse for the advance mission? Let’s see a show of hands. I meant now, boys, right now. Is that it? Nearly one hand. Call it none.

Man oh Manischewitz, do I have to do everything myself? (No, I wasn’t asking for a show of hands on THAT.) All I ask is a little cooperation on a deadly dangerous deep-space excursion, and I get nothing. Bunch of layabouts. Looks like I’ll have to do it myself – just me and Marvin (my personal robot assistant). Yeah, I mean you, Marvin. I know you didn’t put your hand up. What part of “my personal robot assistant” do you not understand, eh? Sheesh. I’m going to have to ask Mitch to program some obedience into that boy…. when he gets back from Mad Science-a-ganza in Sao Paolo. (Doesn’t sound hugely scientific to me, but…. my studies were in the humanities.)

Yeah, you see, Tiny Montgomery (our sometimes booking agent) has arranged a performance in the Betelgeuse system as part of Big Green’s upcoming [INSERT NAME HERE] Interstellar Tour 2011 – by “part of” I mean to say, it’s the only gig he’s booked thus far. (Tiny’s getting a slow start.) Naturally, we’re getting a little anxious about this seeming exception to Tiny’s near unbroken record of rejection by the managers of interstellar music venues from here to Andromeda. I thought it only prudent that one of us should go out there and check the venue out. And hell, everyone thought it was a GREAT idea so long as they thought I would be doing the honors. But enough about that.

I have to say, truth be known, I prefer recording and broadcasting to live performances most days of the week. That’s why Matt and I are working tirelessly (no tires needed, in fact) on our new audio podcast, THIS IS BIG GREEN!, the maiden episode of which should be posted in the upcoming weeks. What’s it about? Well, my friend, it’s the whole Big Green package – talk and jive, live performances (pre recorded, of course), rare sides, reviews, a promo or two. In short, we’ll know when we get there. But one way or the other, here it comes. No, you don’t have to thank us. All part of the service.

As always, we’re just trying to get you more of what you like least about us. Hmmm… did I say that right? Hands?

Small step.


No, I can’t hang upside down. Not for three hours, for chrissake… from a helicopter. Why don’t you just turn the camera upside down? Never thought of THAT, did you? (You did… ?)

Oh, hi. Just walked in on another acrimonious production meeting here  at the Cheney Hammer Mill. We keep a tight production schedule around here, let me tell you, averaging as many as one music video a year (sometimes more). Yes, breakneck speed rivaling our audio production schedule. Punishing! Matt is our director, though he sometimes puts Mitch Macaphee in charge of the second unit. Video production does not come naturally to our mad science advisor, I’m the first to say. He tends to confuse special effects with reality. (I can’t quite bring myself to ask him how he faked that exploding building in our last video…. too afraid of the truth.)

Okay, so… we’re releasing a single. A goofy little number called “One Small Step”. All I can say about it is that it attempts to explain the unexplainable, namely the moon landing, Armstrong’s flubbed first words from the cratered surface of Luna, and the severe mental and metaphysical consequences of that flubbing. The video? Well…. it features cameos by two ex presidents (both deceased) – one puts in a screaming sax solo. It features spectacular (or spectacularly dumb) depictions of interplanetary travel. And… well, what else can I say but watch it and judge for yourself.

“One Small Step” is one of those songs that has been sitting around for a time, waiting to be finished, begging to be released. They’re like errant children, you know? You make them, they start to grow, and next thing you know – before they even think about striking out on their own – they’re giving you a massive pain in the ass. “One Small Step” hung around for a while; we redid it, remixed it, changed it up…. then just threw our hands in the air. It was never going to be a doctor, a lawyer, or even a tailor or dry cleaner. So it’s just a song; Matt gave it a fittingly bizarre video, and the rest is history. (Or will be history, once it’s past.)

Here’s hoping you enjoy this modest little number. Now if you’ll excuse me, my helicopter awaits.