Tag Archives: Rick Perry

Advance!

You did what to the whom? When was that again? Christ on a bike – I thought you agreed to stop running these freaking rogue operations out of the basement. What’s that? You ran it out of the attic? That’s not the point!

You did what, now?Ah, hello. Just caught me in the midst of yet another dressing down of Marvin (my personal robot assistant) who, apparently, has some kind of crackpot entrepreneurial streak wired into him. (I need to talk to his inventor, the mad scientist Mitch Macaphee, about this.) Every time I turn around … and I mean every time, like, if I were to turn around right now it would happen … he’s got some new racket going. It’s like living with an audio-animatronic P.T. Barnum. Only with slightly less calliope music.

What’s the latest? Well, Marvin has been taking advance orders on our upcoming album, Cowboy Scat: Songs in the Key of Rick, a collection of Norwegian carpenter songs … I mean, songs from a now-lost rock opera about the trials and tribulations of our cousin Rick Perry, Governor of Texas … an album which is now in post production and almost ready to rumble. (I understand the musical itself was lost over the side of a pleasure craft on Lake Tahoe … rumor has it, anyway.) Even before we’ve pressed the first MP3 in that painstaking way we do (note: we use a panini press to squeeze all the goodness into every compressed file), Marvin has rifled money out of our market with the promise of delivery later this year.

I see a couple of problems here. First, Marvin has only been taking orders from extraterrestrials. That raises some ethical questions, of course, but also pragmatic ones. For instance, how do we deliver on orders from Aldebaran Seven, placed by etheric entities only Marvin can see with his advanced optical scanners? Even more importantly, how do we bank “money” that is in the form of microwave transmissions from a distant galaxy. I think those are generally considered non negotiable currency here in the U.S. of A. Not on Aldebaran Seven, however.

Bottom line: We’re going to have a legion of hopping-mad Aldeberans after our sorry asses when we fail to fulfill these orders. Bloody robot! Second time this month!

Scatology.

That’s right, it’s “crab nebula”. What does it mean? How the hell should I know? What am I, some kind of astronomer or something?

Jesus Christ on a bike (which he may well could have been, had he lived in modern times), your brother goes and writes a song lyric and the next thing you know people expect you to tell them what the Sam Hill it means. If I knew that, then I would know what the hell Matt is talking about half the time when he talks … and I clearly don’t, even though he is my own flesh and blood. He ain’t heavy, he’s my brother. It’s his songs that are heavy. Mucho heavy, baby.

What song am I being asked about? Well, it’s one of the tracks on our forthcoming album … I mean, collection, entitled Cowboy Scat: Songs in the Key of Rick. (Rumor has it the songs are part of the soundtrack of a musical about our cousin Rick Perry, but that the musical itself was lost over the side of a pleasure craft on Lake Tahoe.) The song in question is called “Evening Crab Nebula”, and it takes the form of three pieces of sage advice to Cousin Rick from one of his political consultants; one pep talk regarding his primary opponents; one cautionary trope about unseating a president; and this observation about the dangers of being too devout in your beliefs:

If you’re gonna’ follow that evening star
better be sure how wise you are
If you’re gonna’ follow that evening star
better not follow it all too far
or you’ll be choked and froze in the vacuum of space
Can’t treat the Crab Nebula
like it’s there to direct yuh
by pointing out some pertinent
biblical place

Now is that so hard to decipher? Well, of course it is. All political advice is that way, right? That’s why those consultants get the big bucks. (Where have I heard that lyric before? Hmmmm….)

Pop goes it.

Lift the needle. Right about … there. That’s good. Now let’s do the next one. Excellent. We will soon have my entire LP collection transferred to 8-track cartridges, at long last.

Eight tracks
A little timely advice for Marvin

Oh, hello. Just catching up on some housekeeping. You know how it is, especially when you’re living the dream here in the abandoned Cheney Hammer Mill. Time gets away from you, and you end up neglecting all that stuff you meant to do, had to do, were legally obligated to do, etc. I’m only just now getting around to filing my tax returns for 1983. I think my extension may have run out, but I’m not sure. There’s a stack of letters from the IRS I’ve yet to open….

Right, so I’m falling behind. I think we all are here in Big Green land. Fact is, cousin Rick Perry has a song by that name on our upcoming album, Cowboy Scat: Songs in the Key of Rick. It goes something like this….

I’m fallin’ behind, I’m fallin’ behind
T’ain’t never lost before
Always won when I tried
I tell them just what they want to hear
Just as sure as God made corn subsidies
No abortions, no exceptions
We’ll nail scripture to the trees.

Oh, I love Jesus more than any man ever dared
to love another man!
And I remember what he said in the sermon on the mount
Well, some of it.

(c) 2013 by Big Green

…And so on. Now I know that some long-time listeners of Big Green (and there are at least two or three of you out there) will see this and think, What the fuck are they doing? I thought these guys did pop music. This is just irony-soaked cowboy ballads! Well, that’s not exactly right, my friends. You see, Cowboy Scat is a collection of songs from a lost musical about the political trajectory of dear cousin Rick, each number performed by a different group (so the creation myth goes). Some of them are cowpoke groups, some rock, some pop, some weird German 80’s disco, some … well, you get the idea. And you’ll get it even more when we finish mixing the sucker and finally release it into the wild.

Which reminds me. When I do the budget for this release, I have to make sure to include a line for transfer to 8-track. Don’t want to leave any listeners out, no matter what decade they live in.

Lookout. Below.

Okay, now where was I? Wait, don’t tell me. I was complaining about…. something…. No, not the song “Something”. I rather fancy that. Something to do with Web servers.

F'shaw
BG goes all traditional-like.

No matter. Here we are, back to the blog. What’s happening at the mill? Lots. Working on the January podcast, now days behind schedule. Later every month, right? That’s the natural course of business here in Big Green – land. Still…. our first installment of THIS IS BIG GREEN should be worth the wait, if you like weird, asinine, and abysmally non-commercial media content. True hallmarks of the TIBG brand.

Smell something burning? Neither do I. But (and this is the point) we bloody well should, and here’s why … Marvin (my personal robot assistant) is supposed to be thinking up a viable creation myth for our upcoming collection of songs attributed to and written in tribute to cousin Rick Perry, governor of Texas. The album – Cowboy Scat: Songs in the Key of Rick – is such a monumental event in our lives, it fairly demands a creation myth of its very own. As such, we handed that task off to Marvin, and by rights the smoke should be pouring out of his brass visor as we speak.

It is not, my friends. What can I tell you? So look, we’ll just have to cook it up ourselves, I guess, without the help of robotian inspiration. We’re thinking something along the lines of “The Creeping Terror”. Cowboy Scat is all that remains of an epic musical written about the arc of cousin Rick’s political career. Only on the eve of its production, the script was lost over the side of a pleasure craft on Lake Tahoe. Such a tragedy!

Okay, well … we can flesh that out a bit. Give us time. Maybe Marvin can work with …. on second thought, maybe not. Scratch that, friends.

Readying.

The studio is stuffed to the gills already. Yes, it has gills! How do you think it breathes underwater? Didn’t you go to grammar school? Oh, right.

Sometimes I forget that Marvin (my personal robot assistant) isn’t an undereducated human like myself. He is, in fact, a mechanical man. Much must be explained to him, and what can’t be explained must be programmed in by force, if necessary. That’s the lot of a robot assistant, I’m afraid. Work, work, work.

Anyhow… the quintessential American holiday is now over. (We also survived that day that comes before Black Friday … what do they call it? Thanksgiving?) Time to fold up the balloons, disassemble the parade floats, and send the marching bands marching home. While many find the Macy parade enjoyable, it is not a simple matter to serve as the end point of that annual extravaganza. Just finding enough space to store deflated Spiderman is proving more challenging than you might imagine. Sure, without air in his ass, he’s smaller, but – and this is important – not all that much smaller. And then there’s those freaking Smurfs.


As you can imagine, every nook and cranny in the mill is stuffed with gear from the parade. You can hardly turn around in the studio these days. Still, we press on. Matt and I did a couple more mixes for Cowboy Scat: Songs in the Key of Rick this past week. Gonna be a bit hard with all these deflated balloons lying around, but we’ll manage. Fortunately, many of Rick’s songs are country-like numbers, so the mixing is fairly simple. We take a naturalist approach – not too much FX, not too much compression. Just record it clean, mix it pure, and pour it into a tall, clear glass to check for impurities before quaffing it down. Pure audio ambrosia, that’s what I’m talking about. Sure ding.

We’re also furiously preparing for the holiday episode of THIS IS BIG GREEN. Last year raised the bar a bit – two hours of pure horseshit. Not sure how to top that without a bigger shovel, but we’ll try.

Songageddon.

Are you all right? You sure? Good, good. Yeah, we’re okay. Head above water, you know. Always a good thing.

Oh, sorry. I was just on the phone with Mitch Macaphee, our mad science adviser, who wisely chose this week to travel to Madagascar for a conference on … I don’t know, monster-making best practices, something like that. Good time to leave, what with the hurricane and all that. Up here at the Cheney Hammer Mill, we implemented our disaster preparedness plan. Basically that involves closing the windows, drawing the curtains, and blocking our ears. Occasionally someone lights a candle. (When it comes to disasters, we’re not good.)

Fortunately, the gods of rock and water were smiling down upon us this past Monday-Tuesday. That monster storm took an extreme left hook and missed us clean, somehow. Not that you could tell that was the case by looking at this Hammer Mill. It appears as though it’s been through hurricanes, earthquakes, tornadoes and pestilence. (Some would argue we qualify as pestilence, but what do they know? Them and their stinking badges.) One could hardly imagine how this place would handle high winds and higher water, and here we are on the banks of the mighty Mohawk River, just waiting to get clobbered.

We didn’t have anything like a hurricane party. Still working on our new album, Cowboy Scat: Songs in the Key of Rick. Matt and I have been mixing for the most part over the last few weeks, but this week we worked on a new Rick song, possibly the closer for the album. To my count, that makes about 47 Rick Perry songs written and recorded over the past year. (That may be a little high, but then…. so are you, most likely. That’s right – I’m looking at YOU, stoner!) If you want to do your own unofficial census, just play back some of our podcast episodes from the last year. We’ve been posting rough drafts since last September or so – half-recorded songs, to be embellished later. Why do this? Input! We want to hear from you. (That’s right, stoner … I’m talking to you…)

Hope you got through the storm in one piece. I’d better get back to Mitch. Don’t want to keep him on hold too long, or he might invent something dangerous.

There is a town.

Well it’s been a while. Time to open up the old mailbag, right? Right, then, right!

Here’s a little missive from alert listener Ozymandius Lake in southern Nevada, somewhere near the Arizona border. (“No fixed address” is a strange name for a street, but anyway…)

Dear ignorant buggers,

It is manifestly obvious to me, Ozymandius Lake, that you people are a bunch of frauds. Stinking, lousy frauds! I may have no fixed address, but that doesn’t mean I’m gullible. You don’t live in the Cheney Hammer Mill! That place was knocked down decades ago. And even if it hadn’t been, it was hardly large enough to accommodate everything that you claim happens there. And that Rick Perry album you’re producing – there ain’t no such thing. I’ve been living in these bottoms for nigh onto twenty years, and I ain’t never seen no Rick Perry album.

Yours respectfully,

O.L.

Well, Ozymandius – taking your last comment first – I would have to say, “look upon my works and despair”, because there is indeed a Rick Perry album on the way, Big Green is indeed producing it, and it is called Cowboy Scat: Songs in the Key of Rick. If you received our podcast out there in Nevada (I think we have a repeater in Reno), you would know that’s true. As for the mill, if it doesn’t exist, I’ve been sleeping in the street for the last ten years. Could explain a lot. I’ll look into it. Thanks, Oz!

Here’s another one, this from Polly (Esther) Batson in Paolo Alto, California…

Dear Big Green,

You haven’t said anything about Big Zamboola in months. Did he return to his home solar system, or is he just lurking quietly in the the cloistered basement of the mill, keeping his titanic gravitational forces to himself?

Best,

Polly

Thanks for the letter, Polly. Didn’t know people wrote letters anymore in this age of Twitter, Facebook, blah blah blah. Anywho, no worries about Big Zamboola. He has kept quiet, true, over the past year or so, mainly because he shares with sFshzenKlyrn, our sit-in guitarist from the planet Zenon, that transcendental quality of being an gaseous entity of no determinate shape or density. Sometimes he just pops up out of nowhere, like a jack in the box. Zamboola in the box, we call him.

Okay, back to the non-existent studio with me to work on that non-existent album. If only I had known of its insubstantial nature before I started working on it!

 

Deafening me with science.

A little louder. Little louder still. Forget headroom! We like our albums LOUD. Turn it up just as LOUD as you can. What? Leave the room? In the middle of a mix?

Okay, well that‘s discouraging. Here we are at the abandoned Cheney Hammer Mill, our adopted home in upstate New York, mixing our … I mean, cousin Rick’s new album, Cowboy Scat: Songs in the Key of Rick, and I’m just discovering now that I am a lousy engineer. Who know (aside from everyone who listens to my work)? Thank the god of your choice that I have Matt Perry to work with, a.k.a. “Mr. Ears” himself. No, that’s not because he wears Spock-like ear extensions. I’m not saying he doesn’t, mind you … I’m just saying that’s not the reason for the moniker. Though after being summarily ejected from our mixing session due to excessive loudness, I’m thinking about calling him “Mr. Mouth” from now on.

Not sure how Matt can mix an album with his ears ringing, having been recently mentioned by NASA Chief Scientist Dr. Waleed Abdalati in a speech to students about why he became a scientist in the first place. (Waleed was a neighbor and Matt’s best friend back in the day.) They used to play astronaut in our backyard (as well as the vast stretch of open fields that existed there at that time – perfect landscape for an alien planet). Waleed went on to be an engineer and climate scientist; Matt a conservation officer at a wildlife sanctuary. Waleed works for NASA. Matt wrote One Small Step. So in his own way, each has made his contribution to the nation’s space effort.

Still, I can make a contribution to mixing this album, and I’ll tell you how. One word: Marvin (my personal robot assistant). I’ll just program him to do my bidding, send him into the studio, and he’ll turn all the knobs up to eleven. We’ll be able to hear this album from space, even when it’s not being played. Woo-hoo!

Okay…. enough about me. Just wanted to let you know that the latest episode of our podcast, THIS IS BIG GREEN is now available. Two new “rough draft” recordings by Rick Perry, another episode of Nedd the Dancing Horse, and a brief remembrance of Neil Armstrong, first man on another world. Not bad for free. Check it out.

Did you say something? Couldn’t hear you over the LOUD MUSIC.

Sing, Rick, sing!

Turn which knob again? That one? I already turned that one, for crying out loud. Turn it again? Shut the front door!

All these knobs, all these switches… Hey, that’s a good idea for a song. All of these knobs, all of these switches, keep this up and you’ll need stitches, uh-huh. Okay… not a good idea for a song. I’m getting punchy, and small wonder. Matt and I are hip deep in mixing Rick Perry’s new album, Cowboy Scat: Songs in the Key of Rick … being a collection of songs that arose from some strange sensory phenomena our dear cousin experienced over the past year. You know how when sometimes you have a little too much to drink or a bit too much …. well, whatever, and the world around you gets all fuzzy and weird, and then the next day you find yourself freighted with all these unexplainable memories of odd behavior, like something your fevered mind cooked up in a dream? Well…. Rick wrote some songs about that.

We’ve been putting rough mixes of these songs on our podcast, THIS IS BIG GREEN, for the past few months, to mixed reviews, I must say. Here’s a sampling:

What is that sound in the middle of your last podcast? It almost could have been music but not quite…  – jaypod

Tell tex to pipe down. I’m sleepin’ here.   – brooklynfan#482

[expletive deleted] the [expletive deleted] with a [censored].
– nixon’sghost45

All very promising, wouldn’t you say? It’s this kind of feedback that keeps us going, year after year. Like that guy who wrote me last month with the simple advice of “Get a life.” Isn’t that enchanting? Almost haiku-like in its simplicity. I meditate on it daily.

When will the finished album be ready? Well, that depends on how soon we can get a turn at the power tools down in the basement of the abandoned Cheney Hammer Mill, where we reside. Marvin (my personal robot assistant) and the mansized tuber have been building something down there for weeks. Maybe it’s an ark, for all I freaking know – I hear sawing and drilling through the closed door to the shop. “Are you going to be long?” I yell, “We’ve got to start whittling those CD cases!”

Useless. Oh, well… back to the faders.

Process, process.

Smallest town in the biggest state. Father Joseph, what would be my fate? So starts this month’s anthem of the Hammer Mill. Can’t get that tune out of my head, man!

This writing finds us chin deep in production for our next album. Imagine Matt and me in a roomful of 1-inch Ampex tape, all spooled out and tangled like Don Knotts had it in his space capsule in The Reluctant Astronaut. Yes, we always aspire to such heights. “Why not the best?” we ask ourselves, and the answer, of course, is obvious. (Go right to the source and ask the horse.)

Why do we do this thing over and over again? This “making an album” thing? We’re past the age of consent (well past) and not famous on our home planet. Our best-selling album is welded to the hull of Voyager as it makes its way out of our solar system. (We sold one copy to NASA. They bought it because it features a lead vocal by the late Kurt Waldheim.) The fact is, we are driven. When Big Green first rose out of the primordial soup of the mid 1980s, we had several choices. They were:

1) Go back into the soup! It was quite good, actually. Always like a little ginger in with the carrots. Mmmmm-boy.

2) Start a band, but instead of an indie rock group that has to make its own albums, something less demanding. Call it “Various Artists”. That way, on our first day of existence we would have dozens, perhaps hundreds of albums to our credit, many containing hit songs from every era. Instant popularity! Just add crack!

3) Start an indie rock group that has to make its own albums. With help, of course, from our mad science adviser, Marvin (my personal robot assistant), the indefatigable mansized tuber, a couple of Lincolns, and others. (Don’t want to suggest for a moment that we do all this work alone!)

So here we are, patching the rough road that is Cowboy Scat: Songs in the Key of Rick, preparing for final mixes and looking for obvious holes. Hey, there’s a good name for a band: The Obvious Holes. Beats the Recognizable Hicks any day.

Keep your eyes open for more fadeout grooves. Think of them as shards left over in the manufacture of the next album. Or something.